Colour, tone and division: thinking visually about painting with Matthew Collings

West Dean Studio 1


I’ve had an excellent week at West Dean College on Matthew Collings’ course ‘Colour, tone and division: thinking visually about painting’
I felt quite challenged to be working with the figure, which is not my usual territory. Making the exercises 3 minute or 6 minute drawings was helpful because you have to grab the essence of the person visually and find a fast way of expressing it.

3 minute drawing Judy


3 minute drawing Judy


3 minute drawing Judy


Restraint was very much the mood of the week, with only line being allowed for some drawings and then only a rubber on pre-charcoaled paper, for example. When it came to paintings, we were only allowed 3 colours and white. I chose yellow ochre for one of my first colours as I find the colour difficult to work with. It seemed like a good opportunity to try it out again, with the knowledge that help was around.
This was my final painting, expressing how alone the artist actually is in front of their work amidst the mess that surrounds the making process.

My new body of work

I have been working on a new body of work during 2017. It is informed by my previous studies of interiors: in particular, Oaklands Park House, Turner’s House and Pallant House.
I have deconstructed drawings of the hallways and reassembled them in abstract paintings. Repetition comes through the work, picking up another theme, which has been evident in my abstract paintings.

So Different


So Different was the first in this series.

I am Stretched


The Last Day


Bonnard’s Jug


Pallant Green 1


Pallant Green 2

A return to Chichester Festival Theatre Residency drawings

Observational drawings from CFT

Observational drawings from CFT


After a period of reflection (and recovery) after completing my MA last September I am making a return to CFT drawings, which resulted from my residency at Chichester Festival Theatre. The stimulation of imagery and architecture were quite overpowering at the time. I had to focus quite closely on the exhibition at the Minerva and on my degree show and so I had to ignore much resource material. I am now taking the opportunity to return to it as I prepare for a new period of painting. The Foyer continues to attract me visually and I have completed a ‘medley’ of small drawings which are 20 x 20cm.
A medley of small drawings from CFT residency