Leaving Crow’s Hall Farm
It’s the end of an era for me having packed up my studio in Lavant, which was very generously proportioned and a luxury I couldn’t perpetuate. Here it is looking very sad with no paintings on the wall and everything packed away.
A new studio!
Fear not! I have a new (smaller/cheaper) studio in Almodington. It is closer to home and I won’t have to cross the dreaded A27 to get to it (phew!). The new studio is still being prepared but the move has physically taken place now. It has been a timely opportunity to review my work (and find some of it!). I have cleared some of the old work, sold one or two pieces and am ready to think about future work.
My painting practice has had several months of interruption now but I have continued with drawing interiors, mainly at Pallant House. Stairs, doorways and now chandeliers are at the heart of my interest. The subject is still centred on transition and Janus – the Roman god who looks both ways. Staircases offer a great opportunity for looking at the space you are leaving and the space you are about to enter.
My teabag project continues (more information on this in earlier posts) and has been another source of practical work whilst the, surprisingly lengthy, packing up of my studio took place.
Having been utterly blown away by William Kentridge’s stunning Thick Time exhibition at Whitechapel Gallery, I am severely prompted to think about how I can make my own teabag project stimulate all the senses.
A return to Painting
I am so looking forward to returning to painting after this enforced ‘paint fast’. I can’t wait to get organised so that I can wallow in some paint again.